02345nas a2200265 4500008004100000022001400041245013100055210006900186260002000255300001600275490000800291520145900299653002301758653001701781653001701798653002901815653002901844653003001873100002001903700002401923700002401947700002001971700002801991856006002019 2017 eng d a0022-094900aChamber music: an unusual Helmholtz resonator for song amplification in a Neotropical bush-cricket (Orthoptera, Tettigoniidae)0 aChamber music an unusual Helmholtz resonator for song amplificat cSep-15-20172153 a2900 - 29070 v2203 a

Animals use sound for communication, with high-amplitude signals being selected for attracting mates or deterring rivals. High amplitudes are attained by employing primary resonators in sound producing structures to amplify the signal (e.g., avian syrinx). Some species actively exploit acoustic properties of natural structures to enhance signal transmission by using these as secondary resonators (e.g., tree-hole frogs). Male bush-crickets produce sound by tegminal stridulation and often use specialised wing areas as primary resonators. Interestingly, Acanthacara acuta, a Neotropical bush-cricket, exhibits an unusual pronotal inflation, forming a chamber covering the wings. It has been suggested that such pronotal chambers enhance amplitude and tuning of the signal by constituting a (secondary) Helmholtz resonator. If true, the intact system – when stimulated sympathetically with broadband sound – should show clear resonance around the song carrier frequency which should be largely independent of pronotum material, and change when the system is destroyed. Using laser Doppler vibrometry on living and preserved specimens, micro computed tomography, 3D printed models, and finite element modelling, we show that the pronotal chamber not only functions as a Helmholtz resonator due to its intact morphology but also resonates at frequencies of the calling song on itself, making song production a three-resonator system.

10aacoustic resonator10abioacoustics10abush-cricket10afinite element modelling10alaser Doppler vibrometry10amicro computed tomography1 aJonsson, Thorin1 aBrown, Kate, Robson1 aSarria-S, Fabio, A.1 aWalker, Matthew1 aMontealegre-Z, Fernando uhttp://jeb.biologists.org/lookup/doi/10.1242/jeb.16023402284nas a2200265 4500008004100000022001300041245015400054210006900208260001600277300001200293490000800305520141800313653001701731653001701748653001701765653002901782653001401811653001601825653001501841100002401856700001901880700002001899700003301919856006601952 2016 eng d a0044523100aWing mechanics, vibrational and acoustic communication in a new bush-cricket species of the genus Copiphora (Orthoptera: Tettigoniidae) from Colombia0 aWing mechanics vibrational and acoustic communication in a new b cJan-07-2016 a55 - 650 v2633 a

Male bush-crickets produce acoustic signals by wing stridulation to call females. Several species also alternate vibratory signals with acoustic calls for intraspecific communication, a way to reduce risk of detection by eavesdropping predators. Both modes of communication have been documented mostly in neotropical species, for example in the genus Copiphora. In this article, we studied vibratory and acoustic signals and the biophysics of wing resonance in Copiphora vigorosa, a new species from the rainforest of Colombia. Different from other Copiphora species in which the acoustic signals have been properly documented as pure tones, C. vigorosa males produce a complex modulated broadband call peaking at ca. 30 kHz. Since males of this species do rarely sing, we also report that substratum vibrations have been adopted in this species as a persistent communication channel. Wing resonances and substratum vibrations were measured using a μ-scanning Laser Doppler Vibrometry. We found that the stridulatory areas of both wings exhibit a relatively broad-frequency response and the combined vibration outputs fits with the calling song spectrum breadth. The broadband calling song spectrum results from several wing resonances activated simultaneously during stridulation. Under laboratory conditions the calling song duty cycle is very low and males spend more time tremulating than singing.

10abioacoustics10abiotremology10abush-cricket10alaser Doppler vibrometer10aresonance10atremulation10aultrasound1 aSarria-S, Fabio, A.1 aBuxton, Kallum1 aJonsson, Thorin1 aMontealegre-Zapata, Fernando uhttp://linkinghub.elsevier.com/retrieve/pii/S004452311630058402619nas a2200229 4500008004100000022001400041245011900055210006900174260001600243300001100259490000700270520190700277653001702184653001702201653001702218100002202235700001702257700002102274700001902295700001902314856005602333 2013 eng d a1536-244200aTrue Katydids (Pseudophyllinae) from Guadeloupe: Acoustic Signals and Functional Considerations of Song Production0 aTrue Katydids Pseudophyllinae from Guadeloupe Acoustic Signals a cJan-12-2013 a1 - 160 v133 a

Guadeloupe, the largest of the Leeward Islands, harbors three species of Pseudophyllinae (Orthoptera: Tettigoniidae) belonging to distinct tribes. This study examined the basic aspects of sound production and acousto-vibratory behavior of these species. As the songs of many Pseudophyllinae are complex and peak at high frequencies, they require high quality recordings. Wild specimens were therefore recorded ex situ. Collected specimens were used in structure-function experiments. Karukerana aguilari Bonfils (Pterophyllini) is a large species with a mirror in each tegmen and conspicuous folds over the mirror. It sings 4–6 syllables, each comprising 10–20 pulses, with several peaks in the frequency spectrum between 4 and 20 kHz. The song is among the loudest in Orthoptera (> 125 dB SPL in 10 cm distance). The folds are protective and have no function in song production. Both mirrors may work independently in sound radiation. Nesonotus reticulatus (Fabricius) (Cocconotini) produces verses from two syllables at irregular intervals. The song peaks around 20 kHz. While singing, the males often produce a tremulation signal with the abdomen at about 8–10 Hz. To our knowledge, it is the first record of simultaneous calling song and tremulation in Orthoptera. Other males reply to the tremulation with their own tremulation. Xerophyllopteryx fumosa (Brunner von Wattenwyl) (Pleminiini) is a large, bark-like species, producing a syllable of around 20 pulses. The syllables are produced with irregular rhythms (often two with shorter intervals). The song peaks around 2–3 kHz and 10 kHz. The hind wings are relatively thick and are held between the half opened tegmina during singing. Removal of the hind wings reduces song intensity by about 5 dB, especially of the low frequency component, suggesting that the hind wings have a role in amplifying the song.

10abioacoustics10abush-cricket10astridulation1 aStumpner, Andreas1 aDann, Angela1 aSchink, Matthias1 aGubert, Silvia1 aHugel, Sylvain uhttp://www.bioone.org/doi/abs/10.1673/031.013.15701