02700nas a2200253 4500008004100000022001300041245016900054210006900223260001600292300001400308490000800322520184800330653001702178653001902195653001602214653002102230653001702251100002102268700002202289700002302311700001902334700002402353856006902377 2013 eng d a0013874600aDescription of Acoustic Characters and Stridulatory Pars Stridens of Nicrophorus (Coleoptera: Silphidae): A Comparison of Eight North American Species0 aDescription of Acoustic Characters and Stridulatory iPars Stride cJan-09-2013 a661 - 6690 v1063 a

Insects make use of sound in a variety of behavioral and reproductive contexts. Acoustic signals are known to serve in defense, sexual advertisement, prey location, and in cooperative activities such as offspring care and group foraging. In airborne signals produced by insects, information associated with species identiÞcation is often related to the temporal structure of the sound, while spectral quality is more closely associated with intraspeciÞc variation. The Nicrophorine burying beetles (Insecta: Coleoptera: Silphidae) are a group known to produce sound through dorso-ventro stridulation, but the bioacoustics of this group remains understudied. Here, we examine the stridu- latory sound produced by eight North American species of Nicrophorus burying beetles, testing the hypothesis that interspeciÞc differences will be encoded in temporal characteristics of the sound, and that signal divergence will be explained by one of three mechanisms: selection as an intraspeciÞc signal, selection for interspeciÞc aposematism, or random divergence through drift. We digitally recorded stridulation in each species, and analyzed recordings to describe each in respect to four spectral and eight temporal acoustic characters. All species produced a low amplitude biphastic sound pulse consisting of from 58 to 126 syllables, and exhibiting weak dominant frequencies (5.8Ð12.7 kHz). Collapsing the 12 variables into three rotated factors using principal component analysis, we found no sex-related differences in sound, but signiÞcant interspecies divergence in respect to all three factors. We constructed a phylogeny for the group based on the morphology of the stridulatory structures and the acoustic characters, and found weak support for an intraspeciÞc signal divergence model.

10abioacoustics10aburying beetle10aNicrophorus10asound production10astridulation1 aHall, Carrie, L.1 aMason, Andrew, C.1 aHoward, Daniel, R.1 aPadhi, Abinash1 aSmith, Rosemary, J. uhttps://academic.oup.com/aesa/article-lookup/doi/10.1603/AN1300101687nas a2200229 4500008004100000022001400041245012600055210006900181260001600250300000800266490000900274520095700283653001601240653001301256653001301269653001701282653001501299100002801314700003201342700002601374856005701400 2013 eng d a1175-532600aThe spider-like katydid Arachnoscelis (Orthoptera: Tettigoniidae: Listroscelidinae): anatomical study of the genus0 aspiderlike katydid iArachnoscelisi Orthoptera Tettigoniidae List cApr-06-2013 a5910 v36663 a

This paper provides some observations on the anatomy of the neotropical katydid Arachnoscelis arachnoides Karny (In- secta: Orthoptera: Tettigoniidae). Arachnoscelis is a genus of predaceous katydids that comprise species that resemble spi- ders in their general body appearance. The type species, A. arachnoids, was described in 1891 from a single male collected in Colombia. Following the original description, these creatures were never found again, and were thought to have gone extinct or mistakenly assigned to the type locality. But between 1891 and 2012 four more species were described and in- correctly assigned to Arachnoscelis based on a similarity of body form. In this paper we present an anatomical comparai- son of Arachnoscelis and its relatives, and propose that Arachnoscelis should be treated as a monotypic genus. This implies that other species previously described in Arachnoscelis, should be placed in different genera.

10abushcricket10aColombia10apredator10astridulation10aultrasound1 aMontealegre-Z, Fernando1 aCadena-Castaneda, Oscar, J.1 aChivers, Benedict, D. uhttp://biotaxa.org/Zootaxa/issue/view/zootaxa.3666.402619nas a2200229 4500008004100000022001400041245011900055210006900174260001600243300001100259490000700270520190700277653001702184653001702201653001702218100002202235700001702257700002102274700001902295700001902314856005602333 2013 eng d a1536-244200aTrue Katydids (Pseudophyllinae) from Guadeloupe: Acoustic Signals and Functional Considerations of Song Production0 aTrue Katydids Pseudophyllinae from Guadeloupe Acoustic Signals a cJan-12-2013 a1 - 160 v133 a

Guadeloupe, the largest of the Leeward Islands, harbors three species of Pseudophyllinae (Orthoptera: Tettigoniidae) belonging to distinct tribes. This study examined the basic aspects of sound production and acousto-vibratory behavior of these species. As the songs of many Pseudophyllinae are complex and peak at high frequencies, they require high quality recordings. Wild specimens were therefore recorded ex situ. Collected specimens were used in structure-function experiments. Karukerana aguilari Bonfils (Pterophyllini) is a large species with a mirror in each tegmen and conspicuous folds over the mirror. It sings 4–6 syllables, each comprising 10–20 pulses, with several peaks in the frequency spectrum between 4 and 20 kHz. The song is among the loudest in Orthoptera (> 125 dB SPL in 10 cm distance). The folds are protective and have no function in song production. Both mirrors may work independently in sound radiation. Nesonotus reticulatus (Fabricius) (Cocconotini) produces verses from two syllables at irregular intervals. The song peaks around 20 kHz. While singing, the males often produce a tremulation signal with the abdomen at about 8–10 Hz. To our knowledge, it is the first record of simultaneous calling song and tremulation in Orthoptera. Other males reply to the tremulation with their own tremulation. Xerophyllopteryx fumosa (Brunner von Wattenwyl) (Pleminiini) is a large, bark-like species, producing a syllable of around 20 pulses. The syllables are produced with irregular rhythms (often two with shorter intervals). The song peaks around 2–3 kHz and 10 kHz. The hind wings are relatively thick and are held between the half opened tegmina during singing. Removal of the hind wings reduces song intensity by about 5 dB, especially of the low frequency component, suggesting that the hind wings have a role in amplifying the song.

10abioacoustics10abush-cricket10astridulation1 aStumpner, Andreas1 aDann, Angela1 aSchink, Matthias1 aGubert, Silvia1 aHugel, Sylvain uhttp://www.bioone.org/doi/abs/10.1673/031.013.15701