BioAcoustica is a free, open repository of wildlife sound recordings from the Natural History Museum, London.
Taxonomic index of the BioAcoustica collection
Acoustic and biological measurements in the BioAcoustica collection
Recording annotations from ann-o-mate
The specimens that recordings are of, from the collections
Shabangu, Fannie W.; Hofmeyr, G. J. Greg; Probert, Rachel; Connan, Maëlle; Buhrmann, Corrine A.; Gridley, Tess (2022). In-air acoustic repertoire and associated behaviour of wild juvenile crabeater seals during rehabilitation. Bioacoustics: 1-23.
In-air sounds of pinnipeds are important for interactions with conspecifics and threat displays. However, little is known about the in-air acoustic repertoire and associated behaviour of crabeater seals Lobodon carcinophaga. We investigated the in-air acoustic repertoire and associated behaviour of two male and one female wild juvenile crabeater seals that beached separately, and were rehabilitated in Durban and Gqeberha, South Africa. In-air sounds were visually identified and categorised into five classes validated via random forest model classification: brief, intermediate, and long moan calls, croaks, and hisses. Hisses were common (n = 25,105 sounds from 136 hrs of acoustic recordings) and detected during heightened arousal states and interactions with animal care staff and a conspecific. Furthermore, hisses were also recorded in low arousal states during exhalation. Moan calls (n = 241) were only detected from two of the three seals. During rehabilitation, the female seal ceased producing moan calls and later produced a series of croaks (n = 204). Acoustic characteristics of in-air moan calls differed from published underwater moan calls according to duration, minimum, and maximum frequencies, and pulse repetition rate. Our study shows that the in-air acoustic repertoire and associated behaviour of these Antarctic seals are dynamic, vary inter-individually and are context dependent.
| Lobodon carcinophaga |
Where the specimens that recordings are of were collected, not where the sound was recorded