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BioAcoustica is a free, open repository of wildlife sound recordings from the Natural History Museum, London.

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Conocephalus (Anisoptera) fuscus

Species · 21 recordings · 9 specimens

Contains

Conocephalus (Anisoptera) fuscus fuscus20

Recordings

578:11 Conocephalus discolor (788a) 8-Nov2:48 · W. J. Reynolds
578:12 Conocephalus discolor (788b) 8-Nov6:27 · W. J. Reynolds
896:9 Conocephalus discolor (61r4)3:19 · David R. Ragge; J. F. Burton; G. F. Wade
28 Long-winged Conehead (Jim Reynolds/Natural History Museum)0:26
136_4 Conocephalus discolor1:33 · David R. Ragge
135_2 Conocephalus discolor10:24 · David R. Ragge
99_6 Conocephalus discolor5:36 · David R. Ragge
102_10 Conocephalus discolor0:52 · David R. Ragge
Anisoptera fuscus; Studio recording; 2000-08-08: Italy Abruzzo, P.N. del Abruzzo (AQ), Pescasserola; Calling song, 23,4 degrees Celsius0:45
565_3 Conocephalus discolor0:26
lab recording, 1972, 22°C (Uher 4000 L Report with Uher M537, tape no. CS_U03g)0:28
field recording (Kenwood KX880HX with copy of Uher Report 4400, tape: Sony Metal ES 60IV, tape no. U02B:08.10-08.36, equalizer: 5+10kHz +12db, <=3kHz -12dB, strongly filtered at low freqencies)0:12
lab recording, 26°C, 3/8/2015 (Zoom-H4 digital recorder, sample rate 96 kHz)0:30
399:3 Conocephalus discolor(409)3:49 · W. J. Reynolds
399:6 Conocephalus discolor(411)2:26 · W. J. Reynolds
399:7 Conocephalus discolor(411b)2:00 · W. J. Reynolds
399:8 Conocephalus discolor(411c)3:10 · W. J. Reynolds
400:2 Conocephalus discolor(416)5:04 · David R. Ragge
400:3 Conocephalus discolor(416b)1:47 · David R. Ragge
400:4 Conocephalus discolor(416c)1:43 · David R. Ragge
420:11 Conocephalus discolor(587r1)2:13 · W. J. Reynolds

Specimens

Conocephalus discolor NHMUK BMNH(E) 15?GB · 1962-08-18 · David R. Ragge; J. F. Burton
Conocephalus discolor NHMUK BMNH(E) 010210825ES · 1985-08-22 · W. J. Reynolds
Conocephalus discolor NHMUK BMNH(E) 18?FR · 1990-07-21 · W. J. Reynolds
Conocephalus discolor NHMUK BMNH(E) 010211026GB · 1981-08-28 · David R. Ragge
Conocephalus discolor NHMUK BMNH(E) 010210824FR · 1981-09-08 · E. C. M. Haes
Conocephalus discolor NHMUK BMNH(E) 010211096
Conocephalus discolor NHMUK BMNH(E) 010211097
Conocephalus discolor NHMUK BMNH(E) 010211025
Conocephalus discolor NHMUK BMNH(E) 010211027

Literature

Melliger, Ramona Laila; Rusterholz, Hans-Peter; Baur, Bruno (2017). Habitat- and matrix-related differences in species diversity and trait richness of vascular plants, Orthoptera and Lepidoptera in an urban landscape. Urban Ecosystems.
Bailey, Winston J. (1967). Further Investigations into the Function of the “Mirror” in Tettigonioidea (Orthoptera). Nature, 215(5102): 762 - 763.

Behaviour

The song is audible from about 2m. It consits of a uniform series of closely spaced sounds, which can be represented as 'tslittslittsli...'; there about ten syllables per second and the series often continues for long periods without interruptiuon.

Source: Bellman, Heiko (1988). A Field Guide to the Grasshoppers and Crickets of Britain and Northern Europe. William Collins & Sons.

Behaviour

The calling song, produced during the day-time, consists of long echeme-sequences lasting up to 4 minutes or more. The sound is faint, with a rustling or sizzling quality. Oscillographic analysis shows the sequences to consiust of trisyllabic echemes with a highly characteristic pattern. The first two syllables of each echeme consist of short opening hemisyllables followed by longer closing hemisyllables; the first diplosyllable lasts about 12-21 ms and the second, following a very short gap of 1-3 ms, is usually very slightly shorter (11-20 ms). There is then a longer gap, usually 3-13 ms, followed by the third syllable, again usually a diplosyllable but lasting longer than the first two, about 17-30 ms. Occassionally the third syllable lacks an opening hemisyllable and may thenlast for as little as 12 ms. The whole echeme lasts about 45-80 ms and successive echemes are separated by an interval of about 10-20ms; the echeme repetition rate is about 10-16/s. The hemisyllable at the beginning of each echeme id often particularly prominent. Some of the songs studied consisted only of uniform echeme-sequences of this kind (Figs 147-151), but most included short periods (usually 0.3-2.0s, rarely up to 6.0 s) of a 'ticking' sound consisting of identical syllables repeated at the rate of about 20-30/s. These were usually diplosyllables lasting about 15-25 ms, but occassionally the opening stroke was silent, leaving a closing hemisyllable lasting about 8-20 ms. These short periods of ticking were sometimes very widely spaced so that they were hardly noticeable, but in about a third of the males studied they occurred much more frequently, someties every few seconds dutring at least part of the song. (Figs 152-154). At such times the song sounds superficially like the calling song of C. dorsalis, and oscillographic analysis (or speed reduction of a recorded song) is neccessary to show that the echemes in the main part of the song are trisyllabic, unlike the tetrasyllabic echemes of C. dorsalis [= fuscus]. Occassional short bursts of ticking are probably a normal component of the calling song of C. discolor, although such bursts are much less prevalent than in C. dorsalis.

Source: Ragge, D. R.; Reynolds, W. J. (1998). The Songs of the Grasshoppers and Crickets of Western Europe. Harley Books.

Behaviour

The males sing in long, continuous bursts. The frequency is at the limit of human hearing, and is rather quiet, sofor most people a bat detector is thebest way of locating singing males. Heard in this way, the song resembles a persistent 'chugging' motor. Singing males are usually evenly spread out in their habitat, although silent ('satellite') males can often be seen close to songsters. The females are attrcated to the male song.

Source: Benton, Ted (2012). Grashoppers & Crickets. HarperCollins, 120.

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